About the festival:

Munster Literature Centre

www.munsterlit.ie

The Munster Literature Centre has been holding spring literary festivals since 1993, having gone by the names Éigse and Cork Spring Literary Festival in the past. It was renamed The Cork Spring Poetry Festival in 2012, to reflect the focus in poetry programming, which is always popular with Cork audiences. The Gregory O’Donoghue International Poetry Prize for a single poem was introduced in 2010, in honour of a late Irish poet long associated with the Centre. Readers at the Cork Spring Literary Festival have included Ilya Kaminsky, August Kleinzahler, Darcey Steinke, Brian Turner, Dan Rhodes, Jo Shapcott, John Hartley Williams, Yang Lian, Andres Ehin, Mary Morrissey, Patrick Galvin, Alan Titley, Mary Leland, Kerry Hardie, Medbh McGuckian, Mary O'Malley and Conal Creedon among many, many others.

 

 

 

Dontations

 

We would be glad of donations of any amount from those who are able to support our work. Donate here via Paypal any amount you wish--even €5 helps!

 

Writing Workshop

 

Poetry Masterclass with Greg Delanty:
Releasing Two Birds (and Even More) from the One Cage

 

Greg Delanty workshop at the CSP Festival 2012

Wednesday, 15 February - Saturday, 18 February
Daily from 9.30am - 12.30pm
Cost €150/ €120 with purchase of tickets for all readings.
Venue: The Munster Literature Centre, 84 Douglas St, Cork
Max: 10 students

To book: info(at)munsterlit(dot)ie or phone 021-431 2955.

 


Workshop 1: Imagery and the Senses
Artists physicalize the abstract. A regular question people ask is “how are your spirits?” and people answer without thinking that they feel good or bad or not too bad. But where are their spirits? Has anybody seen, felt, heard, touched, smelled a spirit? We will talk about how the poet physicalizes abstract notions such as the spirit, love, happiness, and sadness via language.

 

Workshop 2: Making it New (or Renewing) and Leaving a Gap
The title of these workshops is Releasing Two Birds (and Even More) from the One Cage. We as writers show the world in a new way, breaking from cliché. This is not as easy as it may seem. This workshop will examine the devices and ways, such as metaphor and simile, of making it new, of showing the world in a new way. This is probably the most fundamental attribute of an artist. We will also talk about leaving space in the poem, of how what we leave out is as important as what we include.

 

Workshop 3: Sound
We will work on how the sound of words can work with the literal meaning of a poem. How everything in a poem must be working in sync.

 

Workshop 4: Form
Another aspect of working in sync with the literal meaning of the poem is the form. We will examine a traditional form poem, an open form poem, and a mixture of both and see how each is integral to the literal meaning of that poem. If we accomplish all this, we will have released at least five birds from the one cage